SAMUEL CLEMENS INFLUENCED AND WAS INFLUENCED BY MANY AFRICAN AMERICANS IN PROFOUND WAYS. A FEW OF THEIR STORIES ARE HERE
"I have never known [Mr. Clemens] to be stirred up on any one question as he was on that of the cruel treatment of the natives in the Congo Free State. In his letter to Leopold, the late King of the Belgians, in his own inimitable way he did a service in calling to the attention of the world the cruelties practiced upon the black natives of the Congo that had far-reaching results. I saw him several times in connection with his efforts to bring about reforms in the Congo Free State, and he never seemed to tire of talking on the subject and planning for better conditions."
-North American Review (1910)
To give Booker T. Washington a good start toward collecting the $1,800,000 he wants to carry back from the North to Tuskegee Institute, Mark Twain, Joseph H. Choate, Robert C. Ogden, and Dr. Washington himself spoke in Carnegie Hall last night. Incidentally, it was a "silver jubilee" celebration, since Tuskegee Institute was founded, in 1881.
Mary Ann Cord served as cook for Samuel Clemens's sister-in-law, Susan Crane, and her husband, Theodore Crane, in Elmira, New York. Born a slave, Cord suffered through the loss of a husband and seven children when they were sold in 1852. Thirteen years later, the family miraculously reunited when her youngest son, Henry, a soldier in the Union army, found Cord and brought her back to Elmira, where he worked as a barber. Mark Twain recorded Cord's experience in "A True Story, Repeated Word for Word as I Heard It" (1874). Her narration of her life story helped Clemens understand the horrors of slavery. Click on her photo to the left to find Twain's story hosted at PBS.
Tom Wiggins was born a slave on the plantation of Wiley Edward Jones in Harris County, Georgia but became one of the nineteenth century's great piano virtuosos. Blind and autistic, Wiggins's disabilities left him unable to communicate his most basic needs, no less perform typical slave labor, so he was allowed a greater degree of freedom to occupy himself otherwise. By four, Wiggins has acquired basic piano skills by ear, and by five, he had composed his first song. At age eight, Wiggins was hired out to Perry Oliver, a concert promoter who forced Wiggins to play up to four concerts a day. Wiggins's autism left him unable to communicate beyond grunts and gestures, but he had an impressive ability to repeat anything he heard, usually upon first hearing. It was estimated that he learned 7,000 pieces of music in his lifetime.
In her The Ballad of Blind Tom, author Dierde O'Connell notes Tom's more immediate influence on Clemens:
In January 1868, Mark Twain boarded a train from Galena to Chicago and for the first time, laid eyes on Blind Tom who was howling and whooping along to the hiss and rattle of the locomotive. Read Twain's wonderful account of his bizarre journey with Tom.
Clemens, known for being fond of African American spirituals, eagerly attended Wiggins's concerts whenever he had an opportunity.
IN 1860, PRESIDENT JAMES BUCHANAN MADE WIGGINS THE FIRST AFRICAN-AMERICAN TO GIVE A MAJOR PERFORMANCE AT THE WHITE HOUSE.
ABOVE: MINI-DOC BY "INTO THE MUSIC," A PROGRAM OF THE ABC RADIO NATIONAL. USED WITH PERMISSION.
Little is known of Charles Ethan Porter other than that he was born in 1847 and died in 1923. Historians suggest that he was born in Hartford or East Hartford, Connecticut. He seems never to have married, had children, or formed strong ties with the black community. Instead, he lived a life wholly dedicated to his art. He died a pauper who spent his later years selling his pictures door-to-door, often trading a picture for a meal.
Though Porter enjoyed a burst of success in the 1870s and early 1880s, we would likely know nothing about him had he not received patronage from Mark Twain. Twain likely first heard of Porter after the Hartford Daily Times published an article about him, entitled "A New Painter A Colored Man," in its December 18, 1877 issue.
A year later, with a successful career before him, Porter declared his intentions to study art in Europe. On November 7, 1881, Twain wrote Porter a letter of introduction to Karl Gerhardt, a friend and sculptor living in Paris, it helped Porter gain access to exclusive artists' circles in Paris.
The relationship between Porter and Twain remained on the level of patron and artist, never friends.
Riggio, Thomas P. "Charles Ethan Porter and Mark Twain." Charles Ethan Porter. Marlborough: Connecticut Gallery, 1987. 76-87.
SAMUEL CLEMENS PLAYED A MAJOR ROLE THE OUTCOME OF BROWN VS. BOARD OF EDUCATION - IN 1954, FOUR DECADES AFTER HIS DEATH!
Warner T. McGuinn, a graduate of Yale Law School, a major civil rights lawyer, and a successful politician is most celebrated for mentoring Thurgood Marshall, the first African American Supreme Court Justice and the lead attorney for the Brown v. Board of Education case. Until 1985, however, the connection between McGuinn and Samuel Clemens was not widely known, and there was no hard evidence for it from Twain himself. That year, Dr. Shelley Fisher Fishkin, Professor of English at Stanford University and Twain scholar, discovered and verified a letter written by Clemens to the dean of the Yale law school in New Haven. McGuinn met and was befriended by Samuel Clemens, by then better known as renowned author Mark Twain. Upon hearing that McGuinn was financing his way through law school entirely by his own efforts, Twain wrote a now-famous letter to Francis Wayland, Dean of Yale Law School, requesting a character reference for McGuinn and offering financial support for his schooling. In the letter, Twain agreed to pay McGuinn's room and board allowing him to quit his jobs allowing him to graduate at the top of his class. The letter reads as follows:
"December 24, 1885
Do you know him? And is he worthy? I do not believe I would very cheerfully help a white student who would ask a benevolence of a stranger, but I do not feel so about the other color. We have ground the manhood out of them, & the shame is ours, not theirs, & we should pay for it.
If this young man lives as economically as it is & should be the pride of one to do who is straitened, I would like to know what the cost is, so that I may send 6, 12, or 24 months' board, as the size of the bill may determine.
You see he refers to you, or I would not venture to intrude.
By virtue of his own hard work, and with financial support from Twain, McGuinn received his law degree in 1887, having received the distinction of serving as President of the Kent Club and winning a prize for oratory. The same year, he moved to Kansas City, Kansas to begin practicing law. He relocated to Baltimore in 1891, where he became a partner at the law firm of Cummings and McGuinn and was eventually elected to the city council.
Like his benefactor, Samuel Clemens, McGuinn championed equal rights for women as well as African Americans. He supported efforts for women's suffrage, equating this gender struggle with the black struggle for civil rights. In 1917, McGuinn won the "Baltimore Segregation Case," which led to the prohibition of further segregation of blacks into specified areas of the city (modern-day redlining). When McGuinn died in 1937, the Baltimore Sun wrote of him, "No member [of the city council] had been more effective or more earnest in endeavoring to promote public welfare." Clemens' contribution to McGuinn's studies proved to be an investment in a line of distinguished African American civil rights leaders. Through McGuinn's legacy, Twain influenced the outcome of the Brown v. Board of Education.
Fisher-Fishkin, Shelley, The Book Haven. Stanford University. http://bookhaven.stanford.edu/tag/warner-t-mcguinn/
Rasmussen, Frederick N. "A Little Help From Twain." The Baltimore Sun. February 17 2001. http://articles.baltimoresun.com/2001-02-17/features/0102170018_1_mcguinn-twain-law-school
McDowell, Edwin. "From Twain: A Letter on Debt to Blacks." The New York Times. March 14 1985. http://www.nytimes.com/1985/03/14/books/from-twain-a-letter-on-debt-to-blacks.html
Philip Butcher, "Mark Twain's Installment on the National Debt." Southern Literary Journal. Vol. 1, No. 2, Spring 1969.