"It is this treatment of race that makes Pudd'nhead Wilson as contemporary as Little Rock, and Mark Twain as modern as Faulkner, although Twain died when Faulkner was in knee pants."
-introduction to Twain's Pudd'nhead Wilson (1959)
"Nobody calls Twain's Pudd'nhead Wilson a novel of racial protest, but the comment it makes on what they call race relations is pretty strong. It's a wild book. I've never seen anything so strong."
-interview in the San Francisco Chronicle (1964)
"The spoken idiom of Negro Americans, its flexibility, it musicality, its rhythms, free-wheeling diction, and metaphors, as projected in Negro American folklore, were absorbed by the creators of our great nineteenth-century literature even when the majority of blacks were still enslaved. Mark Twain celebrated it in the prose of Huckleberry Finn."
- (1970)
"Huckleberry Finn is a black novel. Yes, you've seen pictures of Samuel Clemens, and he's white. Super white. White hair. White suit. White skin. But nobody's ever seen Mark Twain, who was a figment-and a pigment-of Samuel Clemens' imagination. And Mark Twain was black."
-address delivered in Hartford, Connecticut (1985)
"The 1880s saw the collapse of civil rights for Blacks as well as the publication of Huckleberry Finn. This collapse was an effort to bury the combustible issues Twain raised in his novel. The nation, as well as Tom Sawyer, was deferring Jim's Freedom in agonizing play."
- (1996)
"Seriously, though, two things people throughout history have held in common are hatred and humor. I am proud that, like Mark Twain, I have been able to use humor to lessen people's hatred."
-on receiving first Mark Twain Prize at the Kennedy Center (1998)
"Twain hid his conflict in satire and wept in private over the brutalities and the injustices of his civilization."
"Jim is the best example in nineteenth-century fiction of the average Negro slave (not the tragic mulatto or noble savage), illiterate, superstitious, yet clinging to his hope for freedom, to his love for his own. And he is completely believable, whether arguing that Frenchmen should talk like people, or doing most of the work on the raft."
-The Negro in American Fiction (1937)
Adapted from The Mark Twain Anthology: Great Writers on his life and Works, edited by Dr. Shelley Fisher Fishkin.